About The Enchey Monastery
The Enchey Monastery was established in 1909 above Gangtok, the capital city of Sikkim in the Northeastern Indian state. It belongs to the Nyingma order of Vajrayana Buddhism. The monastery built around the then small hamlet of Gangtok became a religious centre. The location was blessed by Lama Drupthob Karpo, a renowned exponent of tantric (adept) art inBuddhism with flying powers; initially a small Gompa was established by him after he flew from Maenam Hill in South Sikkim to this site. The literal meaning of Enchey Monastery is the “Solitary Monastery”. Its sacredness is attributed to the belief that Khangchendzonga and Yabdean – the protecting deities – reside in this monastery. As, according to a legend,Guru Padmasambhava had subdued the spirits of the Khangchendzonga, Yabdean and Mahākāla here. In view of this legend, the religious significance of Enchey Monastery is deeply ingrained in every household in Gangtok. It is also believed that these powerful deities always fulfil the wishes of the devotees.
History
It is believed that, Lama Drupthob Karpa had built a small hermitage at the site, where he reached after he flew from Maenam Hill in South Sikkim. Later during the reign of Sikyong Tulku (1909-1910), the present monastery was built in the shape of a Chinese Pagoda.
Earthquake damage
In a reconnaissance report on Sikkim Earthquake of 14 February 2006, it was noted that the Enchey Monastery, apart from other buildings in Sikkim, also suffered severe damages in the 2006 Earthquake (with the maximum intensity of shaking as VII on MSK scale); wide shear and vertical cracks were noted in masonry walls, at corners and near openings. It was not the first time that the monastery, among other masonry structures in Sikkim, was subject to damages by earthquake. Earthquake events in the 1980 and 1988 had also caused damage to the monastery but the repairs done were not adequate, as in 2006, the masonry wall of the building suffered damages again. The report has observed that “The damage seen in and around Gangtok was clearly disproportionate to the size of the earthquake, which was a moderate 5.7 on the Richter scale. This very clearly establishes the high level of seismic vulnerability of the region. Such disproportionate damage is a direct consequence of poor design and construction practices in an inadequate professional environment that is challenged by the lack of trained human resources in the state.” Sikkim as a whole, and particularly masonry structures, are vulnerable to suffer damages from such severe earthquakes. Hence, it has been suggested to adopt “safer constructions through choice of appropriate construction systems, incorporation of earthquake resistant technology, use of good construction materials and their quality control, and involvement of competent manpower for design, construction and supervision.”
The Enchey Monastery, a heritage structure built in stone masonry with 500 mm thick walls, is a double storied structure with timber frames making up the columns and beams in the roof and also in the flooring. Galvanised Iron sheet roofing is also supported on wooden trusses. The masonry wall was damaged due to seismic shear. The decorative plaster of the walls also fell off due to cracks in the masonry walls and spoiled the beauty of the structure. Grouting of the cracks was suggested as a solution to strengthen the damaged portions of the walls.
Festival
Detor Cham is the colourful and vibrant Cham dance festival that is held in the monastery during on the 18th and 19th day of the 12th Lunar month of the Tibetan calendar, corresponding to the dates during January/February of the Gregorian calendar. Other festivals observed in the Enchey Monastery are: the Singhe Chaam performed once every three years, Pang Lhabsol commemorating the swearing of blood-brotherhood between the Bhutias and Lepchas in the presence of Khangchendzonga as witness.The Cham dances are mask dances where the dancers wearing ornate robes perform dances representing the Tibetan deity figurines of Mahakala (the protector) and mythical snow lions; both depict a third eye on their foreheads to represent the “need for inner reflection.” The dance festivals are usually held prior to the Losar, the Tibetan New Year day (February/March) and Losoong, the Sikkimese New Year (December/January).
